“Da Jiberish Rap Star”
Andre’ Anderson B.K.A as Dre’ Money, is a performer from Charlotte, N.C.
Unlike other Artist from the South, Dre’ Money has his own unique style of Rap called
“Jiberish”. Money has perfected this language and has taken it to The-Next level to
change
the Rap game. He, as performer and a writer has been active in the industry for many
years and still out to get a chance to be heard. Dre’ Money was inspired by such artists
as LL Cool J, New Edition,TuPac and other known Artist. As an Artist, Dre’ Money has
always maintained a positive role to unite all brothers and sisters of all mankind,and that’s
very universal with in it self. He started
performing in elementary school talent shows and other special activities developing
skills in Hip-Hop and R&B. Dre’ Money’s childhood dream to be a performer is what
keeps him striving to reach his goal. Learning Gibberish at a young age has enhanced his
ability to perfect and master this form of Rap.
In preparation to develop his talent he attended the Jack the Rapper Convention in
Atlanta, Georgia, seeking pointers and views about the music industry. He began
performing at local schools for troubled kids and other special activities to stay
active as an artist. Dre’ Money has performed at many of the West Festivals in
Charlotte, NC as well as large office parties in the area and well as other popular major
venue hiphop/reggae events. Dre’ Money has
experienced a local tour with Rap Artist Huggy, who starred in the movie “Juice”
and “Lean On Me”. In addition he has recorded several rap vocals for Sound Choice
Studio, which is being used for Karaoke Tapes and CD’s sold worldwide. Many of
the songs recorded by Dre’ Money for Sound Choice were by such artist as LL Cool J,
Will Smith, Naughty By Nature and more.
In Dre’ Money’s spare time he enjoys writing, recording and performing songs, as
well as traveling and staying active in various sports. He is a college graduate striving for
show business, Dremoney has also accomplish just recently winnning excutives
producers choice award for Best Rap Performance for Charlotte Music Awards
2009
above all else, to make the style of “Gibberish” A.K.A “Jiberish”
become known through my hot new worldwide street sound produced by one of the hottest
new music
producers of The-Next-Level Funk Hop-Inc/The”TraXman”.With that said the rest is a
Matrix aka”Their Story” FunkHop Baby!
Giberish and its Meaning
The term is first seen in English in the early 16th century [1]. A common theory is that the word comes from the name of the famous 8th-century Islamic alchemist, Jabir ibn Hayyan, whose name was Latinized as "Geber", thus the term "gibberish" arose as a reference to the incomprehensible technical jargon often used by Jabir and other alchemists who followed.[2] A second explanation is from the British colony Gibraltar (from Arabic Gabal-Tariq, meaning Mountain of Tariq), whose residents frequently speak in Spanish and English during their conversations. Gibraltarians will often start a sentence in Spanish and switch to English halfway through, making it difficult for non-locals to follow.
It was first mentioned in "c1554 Interl. Youth Aijb, What me thynke ye be clerkyshe For ye speake good gibbryshe."
Think, for example, of the movement for the Yiddish language. It began decades ago. At that time, there awoke the question in certain minds: why is it that when other nations jumble several languages together and derive from this melange a separate tongue with its unique soul, it is accorded the legitimacy of a separate language and the due respect of nations? Why then when Jews have done the same with the German, Hebrew and Slavic languages is it disparaged as a jargon and sneered at? At that time, assimilation was still powerful and the ethnonational movement had scarcely come into being. There were probably few people who were informed with respect to the new language question, and those that were, reacted to it with peals of uproarious laughter. Nevertheless, the idea did not wither away, and one of its first pioneers, if not the first, Aleksander Harkavi, lives till this very day in New York and has joyously lived to see the realization of his ideal.
When the intellectuals were approached about this matter-when the attempt was made to convince them of the legitimacy of Yiddish - they laughed and jeered. "What, you want us, cultivated people, to stoop to the level of using your jargon, your most ugly jargon? You can be certain that you will not have your way with us. Better not make fools of yourselves." So they proclaimed arrogantly and considered those who spoke to them of Yiddish to be crazy, pure and simple.
The Yiddish language took no notice of their laughing scorn and ugly disparagement. With quiet but firm tread, it pursued the road which the new age and the old nationality had diligently paved for it. The new age found it, the language, necessary in order to open the eyes of the common people so that they could at last see, voice their demands and carve a place for themselves in a hostile world. The old nationality, wakening from an age - old dream and as if longing for a major task, could not avoid the Yiddish language. Slowly, there blossomed forth new intellectuals (even nationalist intellectuals) who viewed Yiddish with a brighter and newer vision than their predecessors. They were seized by the powerful feeling that this language is the very soul of our people - its very heart, the very center of our life. Why do we weep that we lack self-esteem? Where should we derive this strength from, when we have spent our entire lives sunk in self-abasement? From which source can we draw on, when we demonstrate greater fidelity to the Hottentots than to ourselves, when we elevate the speech of others to the rank of dignified languages and when we invidiously belittle our own as nothing more than gibberish, as jargon; our language into which we have infused and secreted hundreds of years of our spirit, our heart, our humor and our deepest joys and sorrows? How can a nationality that suffers such supreme denigration ever, of its own accord, recover a modicum of feeling of self-respect and a sentiment for ethnonational sovereignty? Let us shed these garments of shame in which our language is swaddled-with which our weak and sickly yidishkayt has permitted it to be clothed - and our people will once more shine forth and bask in the warm glow of a long neglected self-respect.
As Crisis Deepens, Government Officials Are Speaking Gibberish
All other inquiries feel free to contact
info@funkhopstarzonlyent.com
FUNKHOPSTARZONLY ENT,LLC
